Let’s get real—Memorial Day weekend 2025 was not just another extended weekend at the cinema. It was a bona fide cinematic resurgence. With years of streaming doubts, box office woes, and superhero burnout, theaters were hot again, with a record-breaking $322 million total in North America. Seats were filled, concessions were soaring, and five movies were at the forefront of spearheading the action across all genres. From antiheroes to cartoon legends, these are the five best performers that made Memorial Day weekend a turning point for moviegoing.

5. Thunderbolts

Marvel’s Thunderbolts might not have opened up new territory for the MCU, but it showed there’s still a lot of gas in the tank, especially when Marvel indulges in the darker, grimier side of its universe. With $11.6 million added during the holiday weekend and a domestic total that has surpassed $171 million, the movie passed Captain America: Brave New World at the same point in its run.

Fans were attracted by Pedro Pascal’s introduction as a central Marvel character, and critics reacted more favorably than they have to recent Marvel releases. Although it didn’t reach the $200 million threshold many previous entries easily breached, Thunderbolts sustained momentum with its quirky tone and ensemble mayhem. In a franchise frequently criticized for playing things too safe, this was Marvel embracing weirdness—and succeeding.

4. Sinners

Ryan Coogler’s Sinners provided what few films even attempted: an entirely original, genre-melding blockbuster. Half Southern Gothic, half vampire epic, and wholly engrossing, the film took in $11.2 million during the holiday period, pushing its domestic total to a whopping $252 million and more than $339 million internationally.

Starring Michael B. Jordan in multiple roles, Sinners continues to attract audiences six weeks into its release due to great word-of-mouth and critical raves. Critics like The New York Times’ Manohla Dargis praised it as “a passionate praise song to life, love, and cinema itself.” With its rich visual style and ambitious storytelling, Sinners is on track to become one of the most successful original R-rated films in box office history.

3. Final Destination: Bloodlines

Horror fans showed up in droves for the return of Final Destination, and Bloodlines delivered in a big way. Over Memorial Day, it added $24.5 million, pushing its domestic total past $100 million, making it the highest-grossing installment in the franchise’s two-decade history. Opening weekend alone brought in $51.7 million, outperforming many earlier entries’ entire theatrical runs. Even more impressive? It’s currently sitting at 93% on Rotten Tomatoes, earning the best reviews the series has ever seen. In the eyes of critics and fans of years past, according to both, Bloodlines rebooted the franchise without sacrificing the original’s warped sense of reality. Ten years since the previous film, Final Destination, officially came back from the dead—stylishly.

2. Mission: Impossible – The Final Reckoning

For the eighth installment in the Mission: Impossible franchise, Tom Cruise reminded everyone once again that he’s one of the few remaining movie stars with The Final Reckoning. The movie burst into cinemas with a $63 million three-day start and added $14 million over Memorial Day for a total of $77 million over four days.

That’s a franchise high—and with over $200 million overseas, it’s also on track to be the largest M: I film ever. Clocking in at just shy of three hours, it’s a huge swing in terms of scope and budget (a rumored $500 million), but the fans came out for the show, particularly the IMAX stunts that have become Cruise’s calling card. It received an A- CinemaScore from audiences, and it’s obvious Ethan Hunt still has some gas in the tank.

1. Lilo & Stitch

Disney’s live-action adaptation of Lilo & Stitch not only won the weekend, but it also broke box office records. With its $145.5 million three-day start and $37.5 million in extra business on Memorial Day, the four-day domestic total for the film took off to $183 million. That is the largest Memorial Day opening ever and the second-largest four-day opening in box office history, only behind Black Panther.

The movie found just the right balance of nostalgia and new energy, scoring an “A” CinemaScore and critic- and audience-pleasing reviews. At a comparatively modest $100 million production cost, it’s already a box office smash, more than doubling the entire run of the 2002 original in one weekend alone. Lilo & Stitch is now officially a new high-water mark for Disney’s live-action slate—and a reminder of what savvy remakes can do.

Memorial Day 2025 was about more than one or two bullets—it was a demonstration of what the movie experience can still deliver when the studios get it right. From an R-rated original that wasn’t afraid to push boundaries to legacy brands that are firing on all pistons, and a favorite Disney remake blowing up the charts, the weekend affirmed moviegoing is very much alive. If anything, it’s booming. With summer finally in full swing, the bar is now sky-high, and cinemaphiles couldn’t be more pleased.

Any passionate TV enthusiast knows the agony: you’re completely invested in a show—the writing is on point, the cast is in sync—and suddenly one character comes along and disrupts the entire equilibrium. Either from bad writing, miscasting, or plotlines that seem downright ill-fitting, these characters became notorious for ruining otherwise well-loved shows. Here’s a countdown of 10 TV stars who came perilously close to destroying the shows they belonged to.

10. Scrappy-Doo – Scooby-Doo

There are not many characters who are as universally reviled as Scrappy-Doo. Added in the late ’70s to revamp the franchise, Scrappy immediately changed the tone of Scooby-Doo, defocusing the original gang and annoying long-time fans. What was intended to increase popularity turned into a case study on how not to revive a classic. Years later, Scrappy is still a warning in cartoon character design.

9. Kim Bauer – 24

Jack Bauer had his hands full—nuclear blackmail, assassinations, betrayals—but the true bane of his existence could have been his daughter, Kim. Meant to add emotional resonance to the show, Kim’s frequent bad luck and far-fetched misadventures seemed to belong to a different series and too often detracted from the show’s urgency to engage in high-stakes action. Her plots became an inside joke, watering down the intensity 24 was famous for.

8. Lana Lang – Smallville

Early seasons of Smallville promised a romance between Clark Kent and Lana Lang. But what started as a wholesome teen romance grew monotonous and emotionally draining. The on-again, off-again relationship between Lana and Clark became tiresome, at the expense of better characters and storylines. Fans were more relieved than saddened when their relationship finally ended.

7. Will Schuester – Glee

Mr. Schuester was meant to be the essence of Glee—the well-intentioned teacher teaching his charges to be great. Instead, he was one of the show’s most panned characters. Whether it was his cringeworthy relationships, questionable student boundaries, or increasingly off-putting storylines, Will’s trajectory went from sincere to queasy. What was meant to be the show’s moral guide turned out to be a steady source of unease.

6. Ted Mosby – How I Met Your Mother

Ted Mosby was the narrator and emotional center of How I Met Your Mother, but as time went on, audiences tired of his narcissistic behavior and romantic failures. His idealism seemed too narcissistic to be truly noble, and the series finale only served to up the derision. By the final episode, most viewers were sorry the show hadn’t been narrated by someone else—anyone, for that matter.

5. Piper Chapman – Orange Is the New Black

In a series with so many layered, intricate characters, Piper Chapman sometimes seemed out of place. As the initial point of entry into Litchfield for the audience, Piper was rapidly diminished as the least compelling element of the show. Her blandness and narcissism were always at odds with the more vivid characters around her, and numerous fans wished she would just be a background figure.

4. Felicity Smoak – Arrow

Felicity began as a sweetheart tech whiz, charming audiences with her intelligence and wit. But when she was upgraded to the main lady and love interest to Oliver Queen, the game changed. Their will-they-won’t-they dance consumed the show, sometimes at the expense of better storytelling. Her character polarized, not just within Arrow, but in the entire Arrowverse.

3. Connor – Angel

When Connor was introduced by Angel, the series abruptly veered off course—and not in a good way. The brooding, punk-rock-hair-sporting son of Angel came with an attitude and a talent for hijacking storylines. His unjustified anger at his dad and an awkward and unconvincing romance storyline with Cordelia made Connor a nagging drain on the series’ otherwise strong momentum. Even efforts to reform him can’t make Connor one of the show’s most egregious missteps.

2. Vandal Savage – Legends of Tomorrow

Legends of Tomorrow rides its ensemble cast and genre-defying imagination. But Season 1 baddie Vandal Savage didn’t work despite Casper Crump’s solid performance. Terrible writing and confusing backstory made Savage come across as one-dimensional, and his introduction—along with Hawkman and Hawkgirl—was a burden rather than an asset. When they left, the show hit its stride and became one of the Arrowverse’s most fun shows to watch.

1. Ramsay Bolton – Game of Thrones

Game of Thrones did not lack villains, but Ramsay Bolton went too far. Unlike the well-developed villains like Tywin Lannister or even Cersei, Ramsay was cartoonishly cruel—a torture enthusiast sadist whose streak of wins felt like shock value more than substance. His appearance was a turning point in the show’s narrative, as the show began to depend more on spectacle and violence than on character development. For others, Ramsay represented the place where Game of Thrones lost its soul.

Now and then, a single ill-cast character can derail the rhythm of an otherwise fantastic show. Maybe it’s bad writing, or perhaps it’s misplaced emphasis, or maybe it’s a casting misfire, but these characters are a good reminder of just how finely balanced the storytelling can be when doing ensemble material. Good TV isn’t merely about great leads—it’s about recognizing when a supporting character is dragging the entire story down with them.

The Marvel Cinematic Universe has been the genre-defining power in blockbuster cinema during the 21st century—translating comic book superheroes into household names and redefining what cinematic shared storytelling can be. What was a daring risk in starting with Iron Man in 2008 has ballooned into a colossal saga of interlinked films, now 36 and growing.

But with so many entries in the MCU canon, which films truly stand out? We’ve ranked the top 15 based on critical acclaim, fan reception, and the recent arrival of Thunderbolts*—a film that may have just reignited the franchise’s spark. Here’s our reverse-order countdown of the best the MCU has to offer.

15. Captain America: The First Avenger

Steve Rogers’ origin film injects a welcome authenticity into the superhero genre. Taking place in World War II, the movie combines traditional heroism with Marvel’s expanding mythos. As subsequent films in the Captain America franchise upped the ante, this one established a solid emotional footing and introduced a hero who would be at the heart of the MCU.

14. Doctor Strange

Benedict Cumberbatch’s entry as Stephen Strange added a mystical new element to the MCU. With stunning visual effects and a mind-bending style of action sequences, Doctor Strange provided something other—a cerebral, time-bending adventure that opened up the universe in bold, magical directions.

13. Black Panther

A cultural touchstone as well as a superhero blockbuster, Black Panther reset the parameters of what could be done with comic book movies. Ryan Coogler’s vision, the richly detailed world of Wakanda, and Chadwick Boseman’s legendary performance turned the movie into a box office sensation and a moment of international importance.

12. Spider-Man: Homecoming

Tom Holland’s inaugural solo outing as Peter Parker brought a fresh, teen-themed spin to the web-slinger. Michael Keaton’s Vulture provided one of the MCU’s best villains and a grounded narrative concerned with high school life, and Homecoming balanced superhero action with the familiar appeal of coming of age.

11. Thor: Ragnarok

Taika Waititi revolutionized the Thor franchise through a daring combination of cosmic imagery, irreverent humor, and authentic heart. Ragnarok resurrected the God of Thunder and demonstrated that even with multiple cameos, a Marvel hero could surprise and amuse in entirely new ways.

10. Guardians of the Galaxy Vol. 2

The follow-up went further into emotional storytelling, particularly in Yondu’s story, but still managed to bring the offbeat humor and killer soundtrack that made the first movie shine. James Gunn moved the dynamics among the Guardians further, showing this space-faring team had jokes—no, they had heart.

9. Captain America: Civil War

This Avengers-lite ensemble film placed moral complexity at center stage. The ideological conflict between Tony Stark and Steve Rogers created an engrossing conflict, while Black Panther and Spider-Man introductions made Civil War a turning point for the MCU in several ways.

8. Iron Man

The movie that started the MCU is still one of its best. Robert Downey Jr.’s Tony Stark redefined the superhero, putting swagger and vulnerability together. Iron Man wasn’t just an origin story—it was the template for all that followed.

7. Avengers: Endgame

The culmination of more than a decade of building, Endgame provided emotional resolution, crowd-pleasing moments, and high-stakes drama. Its time-travel narrative, gigantic ensemble, and last battle instantly became cinematic history. Few movies have given this much payoff.

6. Avengers: Infinity War

A juggernaut of characters, Infinity War pitted the Avengers against their greatest adversary, Thanos. With its gripping pace and cataclysmic conclusion, the movie set a new standard for what a superhero crossover should be.

5. Spider-Man: No Way Home

Multiverse mashup that did not disappoint, No Way Home brought together three generations of Spider-Men for one thrilling, tear-filled ride. It was a treat for fans who have followed the series all along and an empowering one about growing up that took Tom Holland’s Peter Parker to new heights.

4. Guardians of the Galaxy Vol. 3

James Gunn’s last installment with the Guardians was the most emotionally charged. Instead of building up other franchises, Vol. 3 was about character development, found family, and bittersweet goodbyes. In an article published by ComicBook.com, it’s the “gem of Phase Five”—and it’s difficult to disagree.

3. Captain America: The Winter Soldier

A tone-changer for the MCU, The Winter Soldier blended superhero action and political thriller sensibilities. It’s a smart, realistic movie that recalibrated Steve Rogers and propelled the narrative and stakes of the larger universe in interesting ways.

2. The Avengers

The instant when the experiment was a success. The Avengers assembled Earth’s Mightiest Heroes for the first time and demonstrated that there could be an expanded universe. Its cutting wit, chemistry between the characters, and grandiose third-act battle established the template for ensemble blockbusters.

1. Thunderbolts

The latest addition to the MCU doesn’t meet expectations—it upends them. Critics and the audience have jointly complimented Thunderbolts* for prioritizing character dynamics over spectacle, infusing life into the franchise’s post-Endgame era. Florence Pugh and David Harbour excel in a team-up movie that prioritizes grounded stakes and emotional depth. As Business Insider’s Travis Clark describes, this is “one of the best post-Endgame MCU movies, —and its positive reviews and box office success indicate Marvel is finally getting back on track.

The greatest Marvel movies have consistently hit the right balance between action, character, and heart. As the universe expands in new ways, these 15 movies remind us why the MCU took hold of popular culture—and how fans keep returning for more.

For nearly two decades, the Marvel Cinematic Universe has reigned as a pop culture juggernaut, dominating box offices, reshaping superhero storytelling, and fueling endless debates about which film truly stands at the top. While opinions vary wildly, there’s one metric that always gets fans and critics talking: Rotten Tomatoes.

Yes, the Tomatometer isn’t perfect—between review-bombing and the all-or-nothing nature of scoring, it’s hardly ideal—but it’s still the most widely cited scoreboard when discussing Marvel’s film heritage. Now that Phase 5 is in the books and Thunderbolts on the way, here’s how all 14 MCU movies measure up based on their Rotten Tomatoes scores, from lowest to highest.

14. Ant-Man and the Wasp: Quantumania (2023) – 46%

Phase 5 began with Quantumania, but rather than splashing down, it splashed down to a dull thud. Although Jonathan Majors’ Kang was praised and the visuals provided lots of spectacle, critics found the film bogged down in cringeworthy humor and disjointed focus. It ended up being one of Marvel’s worst critically received endeavors despite its aspirations.

13. Eternals (2021) – 47%

Director Chloé Zhao went big or went home with Eternals, hoping to revamp the Marvel model with a grand, existential epic. But its glacial pace, gigantic cast, and lofty concepts divided critics in half. While respected for its scope, it ended up being the first MCU movie to receive a “rotten” rating.

12. The Marvels (2023) – 62%

With a cast that included some of Marvel’s most popular heroines, The Marvels had a lot to work with. Too bad that critics felt it was all over the place and messy, with too many storylines and not much emotional depth to make a lasting impact.

11. Thor: Love and Thunder (2022) – 63%

Taika Waititi’s follow-up to Ragnarok leaned heavily into irreverent humor, but this time, the formula didn’t click. While Christian Bale’s performance as Gorr the God Butcher stood out, the film’s chaotic tone and lack of balance left audiences and critics divided.

10. Thor: The Dark World (2013) – 67%

Long one of the MCU’s weakest entries, The Dark World is remembered more for Loki than for Thor himself. It’s a textbook case of Marvel’s early growing pains—efficient, but generally forgettable.

9. The Incredible Hulk (2008) – 67%

Edward Norton’s lone appearance as Bruce Banner is now an odd footnote in the MCU. Though The Incredible Hulk has good action, its isolation and subsequent lead recasting left it feeling apart from the larger franchise.

8. Doctor Strange in the Multiverse of Madness (2022) – 74%

Sam Raimi brought his horror sense to this dimension-hopping sequel, and although some fans enjoyed the dark tone and cameos, critics felt the movie’s story did not quite match its crazy concept. Visually daring, narratively confusing.

7. Iron Man 2 (2010) – 72%

Being one of the initial movies responsible for broadening the scope of the MCU, Iron Man 2 attempted to balance world-building with its storyline, and failed. Mickey Rourke’s antagonist did not work, but the movie introduced major characters such as Black Widow, so it became significant in the long run.

6. Avengers: Age of Ultron (2015) – 76%

Despite being jam-packed with big moments and scene-setting for the next few installments, Age of Ultron is still the most underpraised Avengers film. Its grand ambitions tended to overwhelm the story, and Ultron himself didn’t quite connect as hoped.

5. Thor (2011) – 77%

Kenneth Branagh added a Shakespearean touch to the introduction of Thor, God of Thunder. Though Thor did well in introducing Asgard and establishing key groundwork, it lingered a tad too long on Earth and failed to reach its full epic potential.

4. Captain America: The First Avenger (2011) – 80%

Chris Evans’ initial work as Steve Rogers provided a genuine, throwback superhero origin in the context of World War II. Solid but sincere, the movie’s no-frills style kept it from going higher than subsequent Captain America tales.

3. Ant-Man (2015) – 83%

Ant-Man demonstrated that smaller in scope didn’t have to mean smaller in impact. Paul Rudd’s natural charm and the movie’s creative action set pieces provided a welcome palate cleanser in a franchise where big-stakes battles are a normal occurrence.

2. Black Panther: Wakanda Forever (2022) – 84%

In the wake of Chadwick Boseman’s heartbreaking passing, Wakanda Forever faced an almost insurmountable challenge—and succeeded in meeting the moment. Critics admired its performances and emotional heft, if not quite repeating the lightning-in-a-bottle miracle of the first one.

1. Guardians of the Galaxy Vol. 2 (2017) – 85%

James Gunn doubled down on the heart and humor in this energetic sequel. Though not as revolutionary as the original, Vol. 2 expanded its characters and leaned into themes of family, making it a worthy sequel in the cosmic saga.

15. Wendell & Wild

If you’re in the Halloween mood for something visually wild and thematically daring, Wendell & Wild is a winner. Directed by Henry Selick (yes, the mastermind behind The Nightmare Before Christmas) and starring Keegan-Michael Key and Jordan Peele as demon brethren, this stop-motion story is a punk-infused, surreal odyssey. It tracks a rebellious teenager joining forces with some decidedly unorthodox friends, and is the darker fantasy feel better suited to older children and young adults, it’s wickedly entertaining for anyone who prefers their Halloween with a bit of bite. 

14. We Have a Ghost

This is not your average haunted house tale. In We Have a Ghost, the new home a family moves into comes with a ghost—a rather charmingly odd one named Ernest, played by David Harbour. Teenager Kevin befriends Ernest, and with him, they uncover his strange history, evading viral stardom and the CIA in the process. With a strong cast that boasts Anthony Mackie, Tig Notaro, and Jennifer Coolidge, this one gets the laughs, heart, and spooky fun all just right.

13. Troll

Hoping for something with colossal monster destruction? Troll draws upon Norwegian mythology and re-tells it in giant-sized terms. When a drilling project stirs up a mountain-sized troll, destruction ensues. This one is reminiscent of a Scandinavian relative to Godzilla or King Kong, with jaw-dropping graphics and a mythical spin. It could be too much for very young children, but older children and teenagers who love monsters will be captivated.

12. Nightbooks

Tweens with a love for all things frightening must watch Nightbooks. Created by Sam Raimi, this dark fantasy is about a boy named Alex who is consumed by scary stories and gets stuck by a witch who orders him to come up with a new story each night. It’s spooky, smart, and slightly twisted—in a good way. It’s a horror introduction stepping stone that includes modern fairy tale elements that Hansel and Gretel fans will love.

11. The Curse of Bridge Hollow

When Halloween decorations begin to come to life, things quickly get out of hand. In The Curse of Bridge Hollow, a disbelieving dad and his daughter inadvertently free an evil spirit, and now they have to rescue the town. Marlon Wayans and Priah Ferguson are a funny combo in this combo of laughs and mild scares—just right for tweens and teens who need a little excitement without losing sleep.

10. Goosebumps

Time to get the children accustomed to the spooky classics. Goosebumps makes R.L. Stine’s classic tales come alive with creatures such as Slappy the Dummy and the Mummy, all in a series that’s scary but not too frightful. It’s a parent’s flashback and a child’s introduction to horror. Either way, it’s a wonderful way to share a few goosebumps.

9. Hubie Halloween

Adam Sandler contributes his brand of bizarre charm to this Halloween comedy in Salem. Hubie, the resident oddball, takes it upon himself to save Halloween—even if nobody is serious about taking him seriously. With a cast of recognizable people and a combination of slapstick and sweet moments, Hubie Halloween is ideal for older children and teenagers who prefer their spooky season with a side of ridiculous.

8. A Babysitter’s Guide to Monster Hunting

Halloween babysitting becomes an all-out monster hunt in this delightful, lightning-paced romp. When a young girl is inducted into a secret order of babysitters who defend children against the creatures of the night, it’s all systems go. This offering is full of oddball characters, spine-tingling chills, and a resourceful heroine children will delight in rooting for. Spooky but not too creepy to tackle.

7. The Spooky Story of Captain Underpants Hack-a-ween

For younger children (and kids of all ages), this animated Halloween special is all about goofy fun. When Halloween is threatened with cancellation, Harold, George, and Captain Underpants come to the rescue. Be prepared for lots of gags, chuckles, and light adventure that makes it just spooky enough for little ones to have fun without any frights.

6. Chickenhare and the Hamster of Darkness

This sleeper animated treat is Indiana Jones meets Halloween. Half-chicken, half-hare hero Chickenhare and his sidekick Meg, a skunk, join forces to battle an evil uncle and a green, glowing menace called the Hamsters of Darkness. The tale is humorous, quick-witted, and heartwarming—ideal for a family movie night with children who enjoy zany adventures and offbeat animal heroes.

5. Scaredy Cats

Magic, spells, and havoc ensue in Scaredy Cats, an engaging series featuring three girls who get caught up in a magical world. As they learn to balance new abilities with everyday life, the series touches on friendship, desire, and empowerment, all with just the right amount of Halloween-style magic. An excellent choice for younger audiences who enjoy magic without being ready for the intense scares.

4. Mr. Harrigan’s Phone

If you’ve got older kids or teens who like a darker story, this Stephen King adaptation is a slow-burn ghost tale with a techy twist. A boy discovers he can still communicate with his late friend through a smartphone, but things start to take a sinister turn. It’s eerie, thoughtful, and filled with that classic King-style unease—a great pick for teens who want something more mature and atmospheric.

3. Wednesday

Wednesday gives the much-loved Addams Family character a bold new makeover. With Jenna Ortega perfectly capturing Wednesday’s deadpan wit, this show joins a gothic aesthetic, acute writing, and a touch of mystery to forge a new Halloween classic. It’s a delight for teens and parents alike, with Tim Burton’s visual signature and enough oddity to share around. Get on it now before season two drops.

2. Hocus Pocus

You simply can’t have Halloween without the Sanderson sisters. Hocus Pocus is utter enchantment, with Bette Midler, Sarah Jessica Parker, and Kathy Najimy delivering campy witchy good times to the residents of Salem. Quotable one-liners, a catchy musical number that still gets stuck in your head, and one very iconic black cat later, this Disney classic is an annual tradition for a reason.

1. The Nightmare Before Christmas

This one wears the Halloween crown for good reason. The Nightmare Before Christmas is spooky, sweet, and downright iconic. Jack Skellington’s journey from Halloween Town to Christmas Town blends Tim Burton’s dark whimsy with unforgettable songs and a story that captures the magic of both holidays. It’s the perfect pick whether you’re in the mood for tricks, treats, or both.

The passing at 89 of Dame Maggie Smith has left a colossal gap in the records of film, television, and theater. Admired by colleagues, revered by fans, and idolized by critics and royalty, she wasn’t just an actress—she was an institution. For several decades, Maggie Smith defined the benchmark of taking over a stage or screen: acerbic-tongued, quick-witted, and unforgettable.

For some, their first memory of her may be as Professor Minerva McGonagall in the Harry Potter books—a blend of strict authority and unexpected softness—or as the scene-stealing Dowager Countess of Grantham in Downton Abbey, whose acerbic one-liners became television staples.

But Maggie Smith’s career existed far beyond these iconic roles. From over 70 years of work that spanned Shakespeare drama through Oscar-winning roles in The Prime of Miss Jean Brodie and California Suite, her range was incredible.

The range of Smith was wide. She could convey heartbreak or comedy with the same sharp accuracy, most often in the same breath. Daniel Radcliffe, her co-star in Harry Potter, remembered that she had a “fierce intellect” and “gloriously sharp tongue,” with the ability to “intimidate and charm in the same breath.”

Emma Watson, who stayed on set with her throughout her childhood, remembered only realizing in adulthood that she had shared screen space with someone now “the height of greatness.” Rupert Grint, who played Weasley’s best friend Ron, stated he felt “incredibly fortunate” to have worked—and danced—alongside her.

Her Downton Abbey co-stars were also touched. Hugh Bonneville called her a “true legend of her generation,” whose “sharp eye, sharp wit, and formidable talent” impressed all the people with whom she worked. Michelle Dockery referred to her as “a maverick,” while series creator Julian Fellowes graded her as “subtle, many-layered, intelligent, funny, and heartbreaking”—a writer’s dream come true.

Those who knew her best tended to talk of her in two ways: both a strong presence and also a very private person. Miriam Margolyes described her as “the best of the best,” and able to combine “ferocity, mischief, and tenderness.” Dame Harriet Walter appreciated her talent for sliding effortlessly between drama and comedy, citing her performances as “heartfelt, deep, sad, and funny.” Kristin Scott Thomas, her co-star in Gosford Park, remembered how Maggie was able to “reduce me to a blithering puddle of giggles” and never lost her concentration or dedication.

There were tributes from right across the spectrum. King Charles described her as a “national treasure.” Prime Minister Sir Keir Starmer referred to her as “beloved by so many for her great talent” and was impressed with how she introduced people to “countless stories” throughout her lifetime. BAFTA referred to her as a “legend of British stage and screen,” and Sir Paul McCartney remembered her “wicked sense of humour” and irreverent attitude.

Though famous, Smith was notoriously private in her life. Her actor sons, Toby Stephens and Chris Larki, said she died peacefully in hospital, with family and close friends around her. They said in their statement that they were grateful to the team at Chelsea and Westminster Hospital and thanked them for the care. They requested a period of privacy while they grieved the loss of their “extraordinary mother and grandmother.”

Her colleagues and co-stars frequently talk about her genius as much as an actor as a professional. Alex Jennings, her co-star in The Lady in the Van, was fulsome in his praise for her “fearless” performances and unparalleled technical ability. Whoopi Goldberg, Sister Act’s co-star, said she was still amazed to have shared a screen with “a great woman and a brilliant actress.”

Dame Maggie Smith leaves behind a legacy that few might ever hope to match. Her performances enriched generations, her words cut through with wisdom and wit, and her presence contributed to every project she touched. As we bid farewell to a true icon, we are left with a body of work that will keep inspiring, entertaining, and moving audiences for generations to come.

Superhero films have always been about the promise of spectacle, but recent years have been a rollercoaster in the best and worst ways. From blockbuster headlined flops to breakout hits no one saw coming, the genre has been taking viewers on a wild ride. Let’s dissect some of the most buzzed-about successes—and flops—that are still changing the game of capes and superpowers.

Madame Web: Doomed Before Release

Sony’s effort to build out its Spider-Man franchise in Spider-Man’s absence hit a new low with Madame Web. Both critics and audiences were largely disappointed, and even stars Dakota Johnson and Sydney Sweeney distanced themselves from the film after its debut. With a paltry 11% on Rotten Tomatoes and the distinction of being the lowest-grossing Spider-Man film ever, the movie barely broke $100 million globally, but left more questions than answers.

Kraven the Hunter – Sony Slips Again

On the heels of Madame Web, Kraven the Hunter also dived out of the starting gate. It launched to only $11,000 in the US—an almost mythical figure for a big superhero opening—and scored a flat 15% on Rotten Tomatoes. While some audiences enjoyed it in a so-bad-it s-good sort of way, overall, most concurred that it had little in the way of compelling storytelling and visual sheen. Another letdown in Sony’s attempt to expand its self-standing Spider-Verse.

The Crow (2024) – A Reboot That Couldn’t Fly

Lionsgate’s The Crow remake attempted to breathe life into the cult favorite, but even Bill Skarsgård’s efforts couldn’t bring back the original’s magic. Critics trashed the film’s inconsistent tone and confusing plot, resulting in a 22% Rotten Tomatoes rating. With only $23 million at the box office compared to a $50 million budget, it turned out to be another cautionary tale about remaking well-loved material without vision.

Joker: Folie à Deux – Huge Hopes, Lukewarm Reception

Following the billion-dollar success of Joker (2019), Folie à Deux had big expectations with Joaquin Phoenix reprising and Lady Gaga on board as Harley Quinn. Although it took a daring musical approach and had star power, the movie performed poorly both critically and box office. It earned a 32% on Rotten Tomatoes and approximately $206 million at the box office—compared to its production and marketing outlay of $300 million—failed to resonate with audiences as much as its predecessor.

Hellboy: The Crooked Man – A Horror Approach That Fizzled

Hellboy: The Crooked Man tried to return the character to his horror roots, this time with Jack Kesy starring. The movie received mixed reviews, with some appreciating the change in tone and others considering it too fractured to have an impact. Receiving a 37% Rotten Tomatoes rating and scarce mainstream notice, it didn’t leave a huge impact, but its risk-taking approach was at least something different.

Venom: The Last Dance – Criticized but Still Profitable

Punters don’t have to care about the Venom franchise, but audiences still do. The Last Dance had the worst critical rating of the trilogy with 41%, but generated a healthy $475 million worldwide, the eighth-highest-grossing film of the year. Occasionally, a loyal fan base and sheer entertainment value prove sufficient to combat poor reviews.

Thunderbolts – A Welcome Surprise

While most superhero franchises faltered, Thunderbolts went on to surprise nearly everyone. Starring Florence Pugh, David Harbour, and Lewis Pullman, the film hit over $100 million in its second weekend and closed out at a good $173 million globally. It had an 88% Rotten Tomatoes rating, topping some of DC’s films and even beating 2015’s Fantastic Four. It served as a reminder that there is still space for success—even within an oversaturated genre—when chemistry and characters work.

Deadpool & Wolverine – A Crowd-Pleasing Farewell

Ryan Reynolds and Hugh Jackman were back in Deadpool & Wolverine, and fans turned out in droves. The movie mixed snappy humor with multiverse mayhem and nostalgia and put together a solid ending to both the Deadpool trilogy and the remains of Fox’s X-Men universe. With the top box office tallies of the trilogy and positive reviews, it demonstrated there’s still a hunger for R-rated superhero entertainment done properly.

The New Reality of the Superhero Genre

These recent highs and lows are indicative: the landscape of superhero movies is changing. The audience is more sophisticated, and what used to be common sense is no longer a surefire formula. Some films bomb with large budgets and star talent, while others unexpectedly explode in popularity by embracing new points of view or by deemphasizing action for character development.

One thing is for sure: as long as the genre continues swinging for the fences, it will remain one of Hollywood’s most volatile—and intriguing—places to observe.

Ever wanted to know what happens when Hollywood gives directors a blank check? Sometimes you get cinematic genius, sometimes a spectacular disaster, and sometimes both at the same time. The most costly movies ever produced aren’t just measured by their cost, but by the crazy production stories of chaos, large gambles, and lessons taken (or not). From CGI nightmares and hurricane worries to marketing missteps and lobster chowder poison, here’s a closer examination of the blockbusters that tested budgets to their limits.

What Hollywood’s Big Spendees Can Teach Us

Considering these productions with big price tags points out some general trends. Location problems, adverse weather, and overly ambitious special effects tend to drive costs up. A-list actors and best directors are expensive, and advertising can make or break a film. While some of them demonstrated that money spent can bring bigger rewards, some indicated that without a well-directed storyline and careful implementation, all the finances in the world cannot ensure success. Ultimately, whether it’s a $50 million indie or a $300 million tentpole, it always comes down to the same things: a great vision, intelligent planning, and a worth-telling story.

9. Pirates of the Caribbean: On Stranger Tides – Billion-Dollar Overkill

Disney scaled things up again with On Stranger Tides, spending an estimated $378.5 million (approximately $397 million adjusted for inflation today). The movie included over 1,000 CGI shots and a complete 3D post-conversion at ten visual effects facilities. It grossed over $1 billion worldwide, but too many fans felt it didn’t have the magic of previous installments. A reminder that technical shine can’t always compensate for soul.

8. Pirates of the Caribbean: At World’s End – Swashbuckling Scale

With a $300 million budget (approximately $341 million today), At World’s End went all out. From hiring rock stars to inundating air hangars with sets, the film did not stint. Although critics split over its convoluted story, audiences flocked to it in droves, making it the top-grossing film of the year. Occasionally, spectacle can trump story disarray.

7. Spectre – Bond, Big Bucks, and Bigger Expectations

The 24th James Bond film had a $300 million price tag, courtesy of location-hopping around the world, extravagant set pieces, and lawyer fees related to character rights. From blowing up Aston Martins to bespoke tuxedos, each shot was upscale. While the ticket price, Spectre both recovered their budget immediately and cemented Bond’s box-office stranglehold. It serves as a reminder that upscale franchises can both justify upscale investments if fans invest.

6. Titanic – Gigantic Risk, Historic Gain

James Cameron’s Titanic was a whopping $200 million risk (about $294 million today), and the stories behind the scenes are the stuff of myth. It’s the most costly set ever constructed, grueling underwater shots, and even a chowder-spiking accident that poisoned 80 crew members all added to its fame. But the payoff—$2.1 billion at the global box office and 11 Oscars—demonstrated that vision, even at a steep price, can make history.

5. Spider-Man 3 – Big Budget, Bigger Bloat

With a $258 million budget (almost $293 million adjusted for today’s dollars), Spider-Man 3 attempted too much—too many villains, too many character arcs, and too many visual effects innovations. The movie was a box office success but a creative failure. Sam Raimi departed the franchise after that, and Sony reset the franchise. The takeaway: More effects and more characters don’t necessarily equal a better film.

4. Tangled – The Price Tag of Redoing Disney Animation

Taking six years to develop, Tangled accumulated $260 million (approximately $281 million today) as Disney struggled to combine traditional animation sensibilities with the best in cutting-edge CG. Much of that budget was spent bringing Rapunzel’s 70 feet of hair to life—a staggering technical feat. The reward? An unexpected critical and box office smash that came back around to help reboot Disney animation and pave the way for Frozen and more.

3. Harry Potter and the Half-Blood Prince – Premium Magic

The sixth Harry Potter film went all-in with a $250 million budget (around $275 million today). With an all-star British cast, rich visual effects, and elaborate sets, the film was a high-stakes installment in the franchise. Fortunately, the investment paid off—it became one of the highest-grossing entries and a global box office hit. The takeaway? When your foundation is solid, spending big can still yield big rewards.

2. John Carter – An Expensive Marketing Lesson

Disney finally released John Carter after working on it for decades, holding nothing back with a $263.7 million budget. With Pixar’s Andrew Stanton at the helm and an existing fanbase of the original novels, this film failed thanks to bad marketing and an off-putting title. It practically broke even and couldn’t even pay for promotions, only to cost Disney leadership and franchise rights. It’s a classic case of how even large tales can fail when they don’t have the right message.

1. Waterworld – Sinking Costs, Surprising Legacy

At $172 million (approximately $266 million today), Waterworld was the most costly movie ever produced. Production wasn’t smooth by any means—hurricanes blew sets away, there were rewrites galore, and shooting on the water was a nightmare to coordinate. At first considered a fiscal flop, the film gradually recouped its expenses in home video and television licenses. It became a cult classic over time, showing that sometimes slow and steady wins the race, even when it begins in the deep end.

Hollywood has never been afraid of spectacle, and nothing embodies that more than a movie that has a budget large enough to cover the cost of a small nation. But what every gigantic movie budget has behind it is a tale of ambition, high risk, and sometimes sheer madness. From sets destroyed by storms to revolutionary effects, these are the movies that broke budgets and changed what blockbuster filmmaking is all about.

6. Cleopatra (1963): The Queen of Cost Overruns

No list of big-budget failures would be complete without Cleopatra. Began with a budget of $2 million, the ultimate bill reached $44 million—approximately $340 million in today’s money—almost bankrupting 20th Century Fox. The issues were limitless: filming began in England but was forced to relocate to Italy because of inclement weather, scripts were rewritten ad infinitum, and Elizabeth Taylor’s health issues resulted in lengthy delays. The lesson? Even the most elaborate movie fantasies require practical consideration—and backup for Mother Nature.

5. Waterworld (1995): Sinking in Production Issues

Waterworld did not only become legendary for its aquatic environment but also for its chaotic production. What began as a $100 million endeavor mushroomed into $175 million after a hurricane destroyed sets, filming logistics went out of control, and creative differences accumulated. Although long vilified as a flop, the movie finally broke even. It’s a lesson in how unstable environments—and creative tension—can wreck even the most assured productions.

4. Titanic (1997): A Risk That Recast History

James Cameron’s Titanic was a risk in the making. Meticulous attention to period detail and cutting-edge visual effects pushed the budget to around $200 million. Studio executives were understandably nervous, but the gamble paid off.

The movie grossed over $2 billion at the box office and won 11 Academy Awards. Titanic proved that authenticity, coupled with storytelling, can turn even the most costly projects into cultural benchmarks.

3. Avengers: Endgame (2019): Superhero Cinema at Peak Scale

Avengers: Endgame was Marvel’s ultimate flex, both creatively and financially. With a reported budget of $356 million, it invested heavily in an ensemble cast, jaw-dropping effects, and a massive global rollout.

The result was a $2.7 billion box office return and a defining moment in cinematic history. Sometimes, bringing together Earth’s mightiest heroes is worth every penny.

2. Joker (2019): A Low-Budget Legend

Not every success story is founded on nine-figure budgets. Joker only took $55 million to produce—a fraction of the cost of most blockbusters—but hit gold with its realistic look, incendiary storytelling, and Joaquin Phoenix’s career-defining performance. It went on to gross more than $1 billion globally, demonstrating that a thoughtful vision can keep pace with even the most expensive productions. Sometimes, less really is more.

1. What Hollywood Learned from Its Biggest Investments

So, what does this fiscal rollercoaster show us? One, even the best-produced films encounter unanticipated hiccups—from inclement weather to increasing creative pressures. Two, a substantial budget requires purpose—pioneering effects, an A-list cast, or a plan that capitalizes on cultural hot air. And three, whether you’re spinning a quiet character study or building a galaxy-spanning adventure, the magic happens from daring storytelling fueled by wise decision-making.

11. She-Hulk – Marvel’s First Meta Hero

Jennifer Walters—otherwise known as She-Hulk—debuted in Savage She-Hulk number 1 and soon became more than simply the female equivalent of the Hulk. Through her fourth-wall-busting humor, assertive attitude, and law background, she infused superhero tales with a new, self-referential sensibility years ahead of its time. Although her Disney+ show got divided reviews, She-Hulk’s unselfconscious charm and comedic-strength combination keep winning audiences both old and new.

10. War Machine – Iron Man’s Armored Ally

James “Rhodey” Rhodes has been a central part of Tony Stark’s life for a long time. He first appeared in Iron Man number 118 and later became War Machine, donning bulky armor filled with heavy firepower. Although his future in the MCU is somewhat questionable with Armor Wars yet to happen, Rhodey is more established in the Marvel universe than ever, particularly as he remains the leader of West Coast Avengers comics and beyond.

9. Green Goblin – Spider-Man’s Frenemy Turned Foe

Norman Osborn is more than an enemy villain—he’s a pivotal piece of Spider-Man’s history. Appearing in The Amazing Spider-Man number 14, Osborn’s evolution into the Green Goblin made him one of the greatest psychologically complex and deadly villains in Marvel history. While he hasn’t had his big moment in the MCU yet (save for that multiverse cameo in No Way Home), his comic book legacy—and his influence as a mastermind villain—is still unparalleled.

8. Kingpin – The King of Crime in NYC

Wilson Fisk, alias Kingpin, first showed up in The Amazing Spider-Man number 50, and he has been dominating New York’s street crime scene ever since. He has fought Spider-Man, Daredevil, and other street-level heroes while walking a tightrope as both a cruel crime lord and an upstanding businessman. Vincent D’Onofrio’s work in Daredevil introduced the character to the masses, and his recent appearances on Disney+ have only further solidified his hold on Marvel’s darker fringes.

7. Venom – From Villain to Anti-Hero

Venom began as Spider-Man’s most lethal foe but has since become a complicated, fan-beloved anti-villain. Initially spotted in The Amazing Spider-Man number 252 (as an alien symbiote) and later fully realized in number 300, Venom’s path has seen solo comic books, animated series, and large-scale film adaptations. With Eddie Brock and subsequent hosts at the helm, Venom’s constantly changing tale keeps him at the forefront of Marvel’s dark narrative.

6. Groot – The Silent Star with a Huge Heart

“I am Groot” is all he ever says, but it’s enough. Since his first appearance in Annihilation: Conquest – Star-Lord number 1, Groot has transitioned from an unknown character to a worldwide phenomenon due to Guardians of the Galaxy. Whether he’s sacrificing himself, dancing as Baby Groot, or pouting through puberty, Groot’s emotional arc and comedic instincts have made him a breakout hit—and his own Disney+ animated shorts have served only to cement his appeal.

5. Jean Grey – The Phoenix Reborn

Jean Grey is one of the first X-Men and the leading character in some of Marvel’s most influential narratives. From her introduction in X-Men number 1 to her metamorphosis during the Dark Phoenix Saga, Jean’s link to the cosmic Phoenix Force has shaped a good portion of the X-Men mythology. Her life on the big and small screens, as well as in comic books, has preserved her relevance, and she continues to be the embodiment of power, sacrifice, and rebirth in the Marvel universe.

4. Spider-Gwen – A Fan Favorite Revamp

Gwen Stacy’s ultimate demise was once a formative experience in Peter Parker’s life, but in Earth-65, she transcended that. As Spider-Gwen (or Ghost-Spider), Gwen developed her personality, powers, and following. Introduced in Edge of Spider-Verse number 2, she gained immediate notice with her edgy costume, punk-rock personality, and dramatic storylines. Her appearances in Into the Spider-Verse and Across the Spider-Verse have only served to further popularize her.

3. Thor – The Thunder God Reimagined

Thor has been a mainstay in Marvel since Journey into Mystery number 83, but his cinematic transformation gave the character a new lease of life. Once depicted as a stoic, Shakespearean god, the MCU redefined him with humor, vulnerability, and heart, thanks in large part to Chris Hemsworth’s portrayal and Taika Waititi’s comedic direction. This shift helped make Thor one of Marvel’s most beloved and relatable heroes, on screen and in the comics.

2. Doctor Doom – The Villain Everyone’s Waiting For

Few bad guys demand respect like Victor Von Doom. Originally debuting in Fantastic Four number 5, Doctor Doom is a genius, egotistical, and intensely tragic character whose combination of science and magic makes him a force to be reckoned with. Although he’s been featured in previous Fantastic Four movies, everyone is holding out for his MCU introduction, particularly with speculation over Robert Downey Jr. potentially taking over the role. Either is fine. Doom’s comeback is long overdue.

1. The Marvel Multiverse of Popularity

From quirky anti-heroes to world-shaking villains, these Marvel characters reflect the diversity and depth that keep fans hooked across generations. Whether you’re flipping through comic panels or watching the latest blockbuster, it’s clear these characters aren’t just surviving—they’re thriving. As the Marvel multiverse continues to grow, these names remain front and center in the hearts of fans around the world.