How Logan Became the Crown Jewel of the X-Men Franchise

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Let’s face it—superhero movies are ubiquitous. With new ones emerging quicker than you can say “snikt,” it takes something distinctly special to cut through the din. And for more than two decades, Fox’s X-Men franchise has been a rollercoaster ride, packed with mutant highs and lows, questionable decisions, and the occasional box office draw. But when it comes to actual critical success, one movie cuts through the clutter like Wolverine’s adamantium claws: Logan.

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Rotten Tomatoes just revised its “300 Best Movies of All Time” list, and Logan came in at number 228. It’s sitting pretty with a 93% critic approval and a 90% audience score. That’s not only good—it places Logan above such classics as Die Hard and Back to the Future, and even a couple of Marvel favorites such as Guardians of the Galaxy, Thor: Ragnarok, and The Avengers. In superhero parlance, that’s gold medal stuff—just a few spots behind Black Panther, no small accomplishment.

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Throughout thirteen movies, these mutants have done it all—time travel, alternate universes, soft reboots, and more than a few head-scratchers.

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But amidst all that chaos, Logan reigns supreme as the crown jewel. It’s the sole Fox X-Men film to reach Rotten Tomatoes’ top 300, barely beating out fan favorites such as Days of Future Past, First Class, and even Deadpool.

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What then makes Logan stand out?

Well, for one thing, it doesn’t play like a traditional superhero film. Director James Mangold eschews the standard world-saving spectacle for something grittier, quieter, and an awful lot more intimate.

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It’s an R-rated, grounded story with the heart of a Western. There is no save-the-world payoff here—only Wolverine attempting to safeguard what’s left to him. And seeing him fail, stumble, and move forward anyway? It pains.

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What gives Logan its staying power isn’t flashy CGI or cameos. It’s the emotional weight of Hugh Jackman’s performance, bringing closure to a character we’ve followed for nearly two decades. It’s Charles Xavier’s heartbreaking decline.

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It’s the quiet devastation of what’s happened to the X-Men off-screen. Even the film’s gory, intense combat scenes are secondary to the real story—Wolverine’s search for peace, for purpose, for atonement.

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It dares to be melancholy. And in a genre that will not take chances, that kind of storytelling is brilliant. Ultimately, Logan isn’t only the greatest X-Men film Fox produced. It’s one of the most honored superhero movies, full stop.

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And it achieved that by doing something that very few others are courageous enough to attempt—allowing its hero to fail, and still managing to find something lovely in the goodbye.

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