
Sequels are really tricky. Now and then, they manage to do really well and give us a new episode with the same characters and stories we love. Nevertheless, most of the time, through their existence, they teach us that the same success really can’t be repeated. You are full of great expectations, the opening theme song sounds, and out of the doors you walk, feeling: maybe it would have been better just to watch the first one again. Below is a countdown of 10 movie sequels that made fans leave cinemas with a lot more groans than grins.

10. Cars 2 – Pixar Hits a Speed Bump
Pixar barely misses, just like Cars 2 is a rare case. Instead of the cosy small town of Radiator Springs, we were shown a confusing spy thriller that just shoved Lightning McQueen to one side and overly used Mater’s dumb humor. The raucous action replaced the tender storytelling, and the audience didn’t get it.

9. Shrek the Third – The Fairy Tale Fizzles
It should be said that the first two Shrek movies were parodies winking at the audience with a generous measure of sentiment. The third one, however? The franchise was no longer vibrant. Instead of witty humor, it relied on low-brow jokes of the time, and the plot lost its sting. While the film was still very profitable, fans could see that the magic was fading.

8. The Matrix Revolutions – Lost in the Code
The Matrix was groundbreaking in sci-fi, but with Revolutions, the trilogy was going back to its flaws in full swing. Instead of having smart ideas and cool fights, the audience got a bunch of CGI overkill and a plot that left them more puzzled than satisfied. Neo deserved better.

7. Indiana Jones and the Kingdom of the Crystal Skull – Nuke the Fridge
Nearly twenty years after The Last Crusade, Indy made a comeback, but only to wander through a lackluster alien tale, shoddy CGI, and the infamously fridged scene. The return that should have been spectacular turned instead into a laughingstock.

6. Mortal Kombat: Annihilation – Game Over
The original Mortal Kombat is a cult classic. Its follow-up? A fiasco. Main characters were killed off without any story logic, recasting was done, and ridiculously bad effects made it so that their fate was sealed from the very start. So awful that it took the franchise years to be able to return to the big screen.

5. Percy Jackson & The Olympians – A Lost Opportunity
The books had everything the films were jealous of: mythology, fighting, and super fans. The movies? Absolutely not. With their wild storylines, mediocre effects, and no input from the author Rick Riordan, the films simply disintegrated the original material’s core. So, the reading public was like a bank heist victim.

4. The Godfather: Part III – The Odd One Out
The first two Godfather movies are mind-shatteringly perfect. The third? It is a good film on its own, but when put with its brothers, it is only a letdown. Slow pace and too much reliance on nostalgia made it the accursed of the Corleone family series.

3. Star Wars: The Rise of Skywalker – A Chaotic Sendoff
The end of the Skywalker saga was supposed to be stunning. Instead, it looked like a struggle to plug the holes with fan service instead of proper storytelling. The idea of Palpatine coming back was to bring back the magic of the past, but what it actually did was to make the whole trilogy more glaringly lost.

2. Batman & Robin – Bat-Nipples and Bad Puns
Before the superhero movies took the cinemas by storm, Batman & Robin was the one that almost drowned the whole genre. Costumes you could laugh at, a lot of ice jokes, and a mood that parodied its own origin piece really turned off fans. For a long time, it was the prototype of what not to do with a superhero film.

1. Dumb and Dumber To – Comedy That Flopped
Fans waited for twenty years to get the sequel to the first one, and after all that, the joke was on them because they only received recycled humor and tired gags. Instead of cute stupidity from the first one, the second was a painful reminder that some comedies just don’t age well.

Sequels like these are the proof in the pudding that not every storyline is worthy of continuation. Sometimes the finest method of preserving a classic is just to quit while you’re ahead and let it exist on its own.