There’s nothing quite like the sting of a bad movie ending. You’ve invested two hours, maybe more, falling in love with the characters, getting swept up in the story, and then—BAM!—the credits roll and you’re left with a sour taste in your mouth, wondering what just happened. Occasionally, a movie’s ending is so far out of whack, so completely disconnected from what has preceded it, that it can ruin the whole ride. Let’s dig into the top 10 worst movie endings that destroyed good movies and had them crash into cinematic infamy.
10. The Grey
Liam Neeson vs. wolves—what could go wrong? The setup for The Grey is survivalist gold: after a plane crash, Neeson’s character leads a pack of men through the Alaskan bush, stalked by a pack of killing wolves. The tension mounts to a fever pitch, and the trailer suggests an epic battle of man against beast. But as one enraged viewer recounts, the film ends just as Neeson is poised to meet the alpha wolf for the very first time, cutting to black before the fight has even begun. Not even the post-credits shot, in which the man and wolf both lie out in survival mode, does anything to shed light on the situation. As Robert Vaux and Fawzia Khan say, “audiences were set up for a suspenseful and action-filled fight between Ottway and the wolves, but it ended rather anticlimactically.”
9. Thor: Ragnarok
Connected narratives are what Marvel films are well known for, but sometimes continuity comes at the expense of a satisfying ending. Thor: Ragnarok is a wild, colorful ride in which Thor, Loki, and their companions fight to salvage Asgard. They win—sort of—so that the film can have an instant setup for the next huge crossover, Avengers: Infinity War, when Thanos kills fleeing Asgardians. The heroes’ victory is soon reversed, so that in the end, the audience feels that the film surrendered its conclusion to the greater Marvel machine. As Robert Vaux and Fawzia Khan observe, “the protagonists do nothing, and the Asgardians get killed anyway.”
8. The Accountant
Ben Affleck’s The Accountant is a glossy, action-packed thriller with a mysterious lead and plenty of suspense. But when the big twist finally arrives—Jon Bernthal’s character being Affleck’s secret brother—it falls flat. The film gives away nothing in advance toward this reality, making it random rather than earned. According to Robert Vaux and Fawzia Khan, “the big reveal of the movie is no more than an announcement. Stories must be able to hold up, start to finish.”
7. Spectre
James Bond fans waited years for Blofeld, the best Bond bad guy, played in this one by Christoph Waltz. Spectre spends most of its time setting up the character as the behind-the-scenes mastermind of all of Bond’s suffering. But then the climactic confrontation arrives, and it fails: Bond simply shoots at Blofeld’s helicopter, and it goes down, and the villain is taken down easily. As one of the Reddit commenters opined, all that build-up for so anticlimactic a defeat left the fans in disappointment. According to Redditor dontforgetyourshoes, “All that setup for Christoph Waltz’s character. And then Bond just shoots up his helicopter a few times with a pistol, it blows up, and he gets apprehended.”
6. Sunshine
Danny Boyle’s Sunshine is a slow-burning, visually impressive sci-fi film about a group trying to re-ignite the dying sun. It’s a tense, character-driven drama for the majority of its duration. Then, out of nowhere, the movie goes into slasher mode with a human villain who obliterates the mission. This jolting genre shift confused and annoyed most fans. As one Redditor lamented, the ending “attempts to be Event Horizon and destroys all it was heading towards.” Redditor Tisdue stated, “Out of nowhere, it attempts to be Event Horizon and destroys all it was heading towards. So disappointing.“
5. Pay It Forward
Pay It Forward is about kindness, goodness, and goodwill in the world. So for the film to end with its young hero, Trevor, stabbed to death in meaningless violence is a shock. The ending is so bleak and out of sync with the film’s uplifting message that people were left reeling. As a Redditor put it, “The ending is so woefully sad and they did not have to end it that way.” Another Redditor stated, “The Pay It Forward shock death was a Shameless Oscar-grab.“
4. Now You See Me
A heist thriller featuring stage magicians pulling off impossible heists? Sign us up! Now You See Me sparkles with its snappy tricks and twisty plot—until the final reveal, which suggests that magic might exist, and that the FBI agent tracking down the magicians is a mole from their side. The twist of the movie is so confusingly and poorly explained that it left everyone scratching their heads.
3. The Village
M. Night Shyamalan is the master of the twist ending, but the worst offender is The Village. The film creates an unsettling, isolated 19th-century village under attack from supernatural creatures lurking in the woods. The twist? It’s actually modern-day, and the monsters are just townsfolk wearing masks. Critics and audiences were let down by the twist, which derailed the entire conceit.
2. Remember Me
Remember Me is a romantic drama that spends the majority of its time discussing grief, love, and family. Then, at the very end, it’s revealed that the protagonist is waiting in the World Trade Center on September 11, 2001. The revelation was so sudden and exploitative that audiences were left speechless and outraged. Employing a real tragedy as a last-minute plot twist was universally criticized as tacky and manipulative. In The Independent, “The last-minute twist — that Pattinson is inside the World Trade Center, seconds before the 9/11 terrorist strikes — is so atrociously misjudged that it made the film into some kind of bad-taste joke.”
1. The Mist
Frank Darabont’s adaptation of Stephen King’s The Mist is a masterclass in suspense and terror, up to the end. In a gut-wrenching twist, the hero, believing all lost, kills his friends to protect them from the monsters outside, just as the military troops soon thereafter arrive to save the day. The abruptness and brutality of the ending divided audiences, with some cheering its shock value while others condemned it as needlessly sick.
There you go—the conclusions that made us cringe, seethe, or just blankly stare at the screen. Occasionally, the journey is worth it, but oh, how we wish these films had stuck the landing.