We are all familiar with the tale: the Rock & Roll Hall of Fame honors the superstars; however, it is equally known for the ones that it keeps on leaving out. For sure, music lovers prepare themselves for the induction reveals every year, but instead of being happy with the results, they find that some of the most influential artists of rock are once again being ignored. These exclusions have become almost as infamous as the Hall itself; thus, they have been the reason for a large number of debates, fan campaigns, and a huge amount of anger. Therefore, let us turn it up and see the 10 musicians who definitely deserve to have a place there but have not yet come in.
10. The Smiths
If you’ve ever been a moody teenager, chances are The Smiths were on your soundtrack. With Morrissey’s bittersweet lyrics and Johnny Marr’s jangly guitar, they defined college radio in the ’80s and became legends in the UK. Their impact on indie rock can’t be overstated—you can hear echoes of their sound in countless bands today. So why aren’t they in yet? Nobody knows.
9. Iron Maiden
Few bands are as heavy metal as Iron Maiden. From their sweeping riffs to their iconic mascot Eddie, they’ve defined the genre for decades. Judas Priest might have gotten their due, but Maiden still hasn’t gotten theirs. For a band that raised the gold standard on both metal and live performances, their exclusion feels like a serious mistake.
8. The Jam
As punk was blowing up in the UK, The Jam forged their own path mod revival with biting, socially aware songcraft. Paul Weller’s vision propelled them to be one of Britain’s largest acts, though America never quite got it. If the Hall wants to do Weller justice, they’d invite The Jam into his orbit alongside his subsequent work for the full picture.
7. Joy Division / New Order
Two halves of the same coin: Joy Division laid the groundwork for post-punk before disaster hit, and from the ruins emerged New Order, who revamped electronic music and club culture in the ’80s. Collectively, they rewrote what alternative sounded like. If the Hall can induct a collective such as Parliament-Funkadelic, why can’t it induct Joy Division and New Order?
6. Ozzy Osbourne
He’s already got a deal with Black Sabbath, but Ozzy’s solo work is worth its own spotlight. From collaborating with guitar virtuoso Randy Rhoads to becoming a cultural figure (and reality TV personality), Ozzy’s been bigger than life for decades. Naming him “The Prince of Darkness” only scratches the surface of his impact on metal and beyond.
5. Pixies
Before Nirvana’s domination, Pixies authored the playbook. Their quiet-loud-quiet pattern and surreal edge directly influenced the grunge explosion and dozens of alternative bands that followed. They never attained mainstream superstardom as a band, yet their fingerprints are everywhere in rock’s DNA. If “influence” is the benchmark, Pixies tick every box.
4. King Crimson
Robert Fripp’s King Crimson didn’t mess around with prog rock; his band pioneered it. Their albums are thick, risky, and decades beyond the curve, and their influence can be heard in everything from heavy metal to forward-thinking math rock. Even their first album should’ve secured their place. Instead, they’re lingering in the wings.
3. Jethro Tull
Flutes in rock don’t belong, but Jethro Tull made it impossible to forget. Mixing folk, classical, and hard rock, they established a career of audacious albums and zany live performances. Prog enthusiasts have been supporting them since the dawn of time, and their exclusion is one of the longest-standing in Hall history.
2. MC5
Loud, raw, and unapologetically political, MC5 were head-and-shoulders ahead of their time. Their incendiary stage shows and punk rock ethos paved the way for punk, garage rock, and protest music. They weren’t a band, they were a movement. The Hall ignoring them this long feels borderline criminal.
1. Motörhead
If Black Sabbath created heavy metal, Motörhead sped it up, made it gritty and punk-infused. Lemmy’s gruff attitude helped shape generations of metal and rock acts, from thrash to hardcore. They were outsiders by nature, yet their legacy can’t be denied. The omission of Motörhead isn’t in yet? That’s the greatest snub of all.
The Rock Hall may attempt to chart rock history, but until these pioneers receive their due recognition, the narrative seems incomplete. They forged genres, fueled movements, and provided us with the music that continues to rattle the walls today. It’s well overdue to open the doors to them.